4/11/2024 0 Comments And finch movie production company![]() ![]() Jim Hall is a two-time Peabody Award winner for his work as a photojournalist as part of an investigative team. After all, Kevin admits to being a rock and roll radio DJ early in his career. More recently, under the Jukeboxer Productions banner, Kevin is the producer/director/writer of Triton: America’s Deep Secret and, with WFYI-TV for APT (American Public Television), Kevin directed, wrote and produced A Writer’s Roots: Kurt Vonnegut’s Indianapolis. But it’s not all serious stuff. Murrow Award for large market WTHR-TV and writer for G-Man: The Making of an FBI Agent for Discovery (2002). ![]() Subsequent credits (Check out the portfolio page) include writer of New York Emergency for TLC (2000) co-executive producer and co-writer of In the Child’s Best Interest, winner of the national Edward R. It aired nationally on the now defunct Odyssey cable network. Kevin’s first bite at the documentary apple was a rewrite job in the 1990s on a little film about an American flyer who endured seven years in a North Vietnamese prison and lived to tell an inspirational tale. We’re all veterans but the key is we still love what we do. ![]() Wes Montgomery is not our first rodeo. Among us, we have produced, written, shot, designed and edited documentaries on Kurt Vonnegut, a Cold War submarine’s record-breaking secret voyage, a Vietnam Prisoner of War, the FBI Training Academy, juvenile justice, the arts and much more. One-by-one, we stepped away from the rewarding but grinding work of daily broadcast journalism to launch new careers, all intersecting in the production of meaningful documentary films. We have worked in cities small and large, traveled the country and around the world, and covered the biggest stories of our time. But at our core, we are journalists who see documentaries as an extension of good storytelling, simply with greater length and more resources. We have produced documentaries for film festivals, cable TV, public TV and even international television distribution. The only thing they have in common is people–people who want to test themselves and become FBI agents, people who test themselves and their submarine for an improbable run at history, young people facing difficult odds in juvenile courts who still manage to persevere, and one person, a world-famous author, and his journey from privilege to loss to self-made success. The result was a 20+ page animation bible which defined what they wanted from the character’s evolution in each part of the movie and how much of Finch’s body language it had assimilated by then.įor their work on Jeff, the MPC team received the VES Award for Outstanding Animated Character.You won’t find much of a pattern here. Inspired by machine learning work and SIGGRAPH research, the MPC team collaborated with the filmmakers to make an animation plan for the progression of Jeff’s AI. All the while, matching the incredible performance of Caleb Landry Jones (the actor who played Jeff), and refining it with an appropriate level of robotic feel, always making sure Jeff feels like a 200kg robot rather than a 70kg human. The robot would be constantly recording Finch’s motions and behaviours and abstracting his own from them – from very robotic, uncoordinated, and ungainly at the beginning through to being significantly more controlled, and finally ending up with very human-like nuances to his movement, such as subtle eye saccades during pauses for thought to mimicking Finch’s breathing motions as his behaviour takes a final turn to becoming very human. The brief from the filmmakers was to make sure we always had awareness of what stage we were at in any given scene or shot along Jeff’s development arc. ![]()
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